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for Clarinet and Accordion HaP

by Josué Moreno

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about

for Clarinet and Accordion HaP is part of the larger compositional project called HaP (Homenaje a Picasso). In this project I take as subject of homage the way Picasso worked on the 58 variations of Las Meminas by Velázquez.
The main hypothesis is that the artistic creating is the distance between the artistic object and the source of inspiration. In HaP, the sources of inspiration are preceding musical works.
In for Clarinet and Accordion HaP, Morton Feldman and his piece Durations 2 the inspiration. I take the basic notational technique Feldman developed and make variations on it creating a floating long musical space where the time is perceived in a different way, where any tiny detail can be meaningful.
The piece has its own rhetoric and the players are challenged to play in a deep concentration state, listening to everything the other player does.

credits

released November 29, 2008
Clarinet: Natalia Perales Tavira
Accordion: Arantza Aguirre Barcena
Sibelius Academy Chamber Music Hall
November 29th 2008

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Josué Moreno Spain

Behind his artistic practice there are two main ideas: the metaphor of “sound as space to articulate” and, collaboration as artistic means, hence the very interdisciplinary nature of his projects.
Moreno researches the concepts of urban sonic acupuncture and site-specific sonic interventions in his work, which varies from purely instrumental music to sound installations and interactive software.
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